Created by softcore mogul Scotty JX, ACTIONGIRLS.COM takes the girls-with-guns formula to titillating new heights by combining two red-blooded-male favorites: naked ... Full Descriptionwomen and action movies. While the minimal story arc takes place in a futuristic, MAD MAX-like post-apocalypse populated by roving gangs of bloodthirsty criminals, the real action centers on the stable of gorgeous women who fight to survive with an arsenal of firepower and a minimum of clothing. This first volume stars hotties Sylvia Saint, Susana Spears, Martina Fox, Ashley Robbins, Raylene Richards, Silvie Thomas, Chantel Williams, Zabrina Aamir, Susan Carter, and Victoria Roberts.
Created by softcore mogul Scotty JX, ACTIONGIRLS.COM ... Full Descriptiontakes the girls-with-guns formula to titillating new heights by combining two red-blooded-male favorites: naked women and action movies. While the minimal story arc takes place in a futuristic, MAD MAX-like post-apocalypse populated by roving gangs of bloodthirsty criminals, the real action centers around the stable of gorgeous women who fight to survive with an arsenal of firepower and a minimum of clothing. This second volume stars hotties Sylvia Saint, Susana Spears, Martina Fox, Ashley Robbins, Raylene Richards, Silvie Thomas, Chantel Williams, Zabrina Aamir, Susan Carter, and Victoria Roberts.
Tinto Brass surely knows how to make good movies with great decors, nice coloration, interesting scenes, meanwhile introducing gorgeous women like Stefania Sandrelli in La Chiave or, as is the case in this movie, Claudia Koll. the story of Cosi’Fan Tutte may be quite simple, but to make a good movie out of a simple story where liberation on sexual terms is the key ingredient, very common to the Tinto Brass movies, means we are dealing with fine artistry. it is known that at least the Italian versions of the Tinto Brass productions are uncut, and that is of the greatest importance. as Tinto Brass puts it, ‘people don’t rent or buy films to see less, rather to see more’ …
Claudia Koll, an actress born in Rome on may 17 of 1965, is surely one of the most gorgeous women ever to have appeared on the screen, and the acting of her as well as of her colleagues in this production is great. for instance in the train scene where she arouses two men who are sitting opposed to her, her mimics are quite wonderful, courtesy of a very good actress indeed. in every take of the film Claudia Koll is quite a catch for the eye, always being dressed exclusively sexy, as for instance in the tram scene, where she wears light summery kind of ‘see through clothes’ and obviously no bra. any men, and of course some women, would be feeling hot at the spot.
to show you the kind of artistry involved in the making of this film, in the Italian version you receive some extras which were either not or alternately used during the final editing. for instance the scene of the open air love party where a group of five guys want to seduce her, is shown in an earlier edit, and finally changed somewhat in the official version. obviously the director and all other artists involved had to stick their heads together to recreate this and other movements, in order to make a better representation, with a somewhat other timing, as a result the whole becomes more exciting to watch, more finished to the point, not the easiest thing to achieve by all means.
Tinto Brass also succeeded in building up the tension in the story, and there is also some good humor involved. when I first saw this movie, honestly during the first seconds already I was quite overwhelmed by the sheer beauty of Claudia Koll, her sensual nudity shown at once. also director Tinto Brass was quoted as saying he was quite absorbed by her appearance. judge for yourselves, Cosi’Fan Tutte to me is one of the finest erotic films from Italian Cinema, deserving a bravo for the way it had been achieved.
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A kind of "Hatfield’s and McCoy’s” feud with a political twist has been going on and the young lovers’ families are, unfortunately, on opposite sides. Emanuelle’s shower becomes the target of a gang of voyeurs, including the pillars of the community. She uses it as a stage to taunt the watchers to charge into her apartment on the notion that she is showering with the mayor’s daughter’s fiancee. Instead of what they expected, they find the two young lovers in bed. Can Emanuelle shame them into allowing the marriage that they had been preventing?
Gwendoline arrives in China in a box, and is helped out of her immediate predicament by a female contact and a devil-may-care adventurer. She’s on a mission to find her father, who was last seen searching for a rare butterfly in the Land of the Yik Yak. They confront the evil Cheops in an attempt to find Gwen’s lost father and the butterfly, and face many other challenges to their mission.
This has been called INDIANA JONES meets BARBARELLA but it’s so much more. By ignoring the comic book, Jaeckin has, ironically enough, preserved the graphic form on film. He is, after all (and first and foremost) a fashion photography so his arrogance of story structure leads to the best eye candy you’ll see in a long while. Sequences from this film may have resembled Jodorowsky’s aborted Dune project had it ever have been made! Sure the first half is pretty slow but it leads into the strangest and most mind-blowing balm-pottery ever to hit celluloid, as Gwendoline and her pals go on a mission to find a rare butterfly, her missing father and a lost civilisation. The city of Yik-Yak itself is some of the best visualisation I’ve ever seen, not unlike an S+M party in a salt mine. Forget the acting (PLEASE forget the acting) just sit back, listen to the vaguely Michael Nyman-esquire score and watch the mind-blowing images unfold. Otherwise, just pretend you’re watching TINTIN: THE MOVIE, as rendered by Peter Greenaway.
Among the hundreds of italian comic films of this period,”La moglie in vacanza…l’amante in citta” (not to be mistaken with another masterpiece of this genre such as "La moglie in bianco…l’amante al pepe”) is one of the best realized and also one of the most comic. merit of the brilliant screenplay, full of funny situations, but merit mostly of actors such as lino banfi, Renzo Montagnani and Pippo Santonastaso. Above all, Banfi and Montagnani are two of my favourite comic actors, they are very very brilliant and unfortunately too often undervaluated. To be pointed out, for the lovers of beauty, the two main actress, Barbara Bouchet and Edwige Fenech.